invariably dance her plain realm
would have to do as the kings
or old had done, and sacrifice his dearest possession to Fate, in order
to appease the hungry demons of vengeance and envy; and that he would,
therefore, sacrifice her, in order to secure the perpetuity of his
fortune and dynasty.
It was this that weighed down the heart of the new empress, and made her
shrink in alarm from her new grandeur. It was, therefore, with a feeling
of deep anxiety that she took possession of the new titles and honors
that Fate had showered upon her, as from an inexhaustible horn of
plenty. With a degree of alarm, and almost with shame, she heard herself
addressed with the titles with which she had addressed the Queen of
France years before, in these same halls, when she came to the Tuileries
as Marquise de Beauharnais, to do homage to the beautiful Marie
Antoinette. She had died on the scaffold and now Josephine was the
"majesty" that sat enthroned in the Tuileries, her brilliant court
assembled around her, while in a retired nook of England the legitimate
King of France was leading a lonely and gloomy life.
Josephine, as we have said, was a good royalist; and, as empress, she
still mourned over the fate of the unfortunate Bourbons, and esteemed it
her sacred duty to assist and advise those who, true to their principles
and duties, had followed the royal family, or had emigrated, in order
that they might, at least, not be compelled to do homage to the new
system. Her purse was always at the service of the emigrants; and, if
Josephine continually made debts, in spite of her enormous monthly
allowance, her extravagance was not alone the cause, but also her
kindly, generous heart; for she was in the habit of setting apart the
half of her monthly income for the relief of poor emigrants, and, no
matter how great her own embarrassment, or how pressing her creditors,
she never suffered the amount devoted to the relief of misfortune and
the reward of fidelity to be applied to any other purpose[13].
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